The Whisperers

With those two jobs out of the way, I was ready to kick off my painting for 2022. Ā Be warned though, my first watercolour of the year is never great. Ā It’s always loose and random and just serves to clear the cobwebs.

There are four colours in this one. Ā There are formal debuts for hematite violet genuine, green apatite genuine and Mayan blue. Ā Transparent yellow is there to add a bit of light in places.
I didnā€™t want to spend too long outside, so there are no subtle techniques here. Ā I just wet the paper first, put on paint straight from the tube in all four colours using a palette knife, then smeared it around a bit using the knife. Ā I also used a wet brush to move some paint around and used the palette knife to scrape tree branches and rocks in places. Ā The sky was looking too green and too dark at one point, so I dabbed out lots of colour with a kitchen towel and added more of the purple and blue.
The green has dominated the other three colours but when two of those colours were a blue and a yellow, that may not just be down to the green apatite genuine. Ā The granulation effects are definitely interesting but using all three of the Daniel Smith colours might have been overkill – using just one along with a load of my more conventional colours might have been a better way to go.
Which is my way of saying this painting’s not going up for sale. Ā But it did blow some cobwebs away.
Oh, and Algernon Blackwood provided the title again.

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