The Glamour Of The Snow

I thought a bit of watercolour painting was overdue, so I’ve been out there this morning running off this little number. Ā The thunder started as I was wetting the paper at the beginning and it was a race against time to get it finished before the heavens opened. Ā I just about managed to get there in time, although I had to put it in the wooden playhouse to dry.

Without any particular plan on mind, I thought I’d have a go at another random landscape. Ā But I can’t just keep doing the same thing over and over again, so I came up with three experiments.

The first was to use some of that Daler-Rowley pthalo blue that’s still sitting around in the old takeaway carton that I use for my tubes. Ā As Prussian blue (another cool, greeny blue) worked so well with Indian yellow and quinacridone magenta (in the “triadic left” key) I thought I’d try out pthalo blue with both of those colours. Ā It’s an interesting threesome, of which the results can be seen in the sky, but I don’t think the greens and purples are as good as those with Prussian blue.

The second experiment was the debut for two new ink colours: titanium white and gold shimmer. Ā The gold shimmer is different to my previous gold – it’s like a gold shimmer in a colourless solution rather than gold shimmer in gold solution. Ā The jury’s out on the gold for now but the titanium white is already interesting. Ā It’s very opaque and unfortunately (like waterfall green) doesn’t granulate well. It will be good for snowy scenes. Ā But I can’t make the same mistake again as I made here: the white needs to be applied separately from all other colours otherwise it mixes with them to form something looking like melted ice cream. Ā And if there’s brown in there or a number of different colours, it turns to chocolate ice cream mud, not just in colour but also in properties – looking at the drying painting from the side I can see hills of mud.

The third experiment was blowing. Ā I’ve seen YouTube videos where people blow paint around gently using drinking straws. Ā But rather than drinking straws, I was using the plastic tubes from the middle of rolls of dog poo bags. Ā They’re wider than drinking straws and it meant that I needed to go for quick sharp blows rather than slow gentle ones. Ā It had a great effect on the ink, resulting in explosions wherever I wanted them. Ā I’m going to try this again another time but without mixing white ink with other colours – with white ink there it tended to mix up ice cream too often.

I thought the pthalo blue/quinacridone magenta combination would make for a great night sky, so should really have spattered on some stars using masking fluid but forgot and wet the paper without thinking. Ā If the sky hadn’t already thundered, I’d have waited for it to dry, then spattered the masking fluid but I didn’t have the time for that. Ā I’ll have to do a night scene with pthalo blue another day. Ā Doing things another day is becoming a common theme with this painting.

The foreground with my three primaries looked good but has since been covered up with inks. Ā I tried a wet into wet tree line in the background but couldnā€™t get it to work so was happy to see that inked over. Ā The sepia ink tree on the right came out well but has been spoilt a bit by having too much snow added to it. Ā The inky hillsides are starting to grow on me. Ā I thought they might suffer from the ink runs all being too parallel and vertical but I can now see that those vertical runs are not parallel, coming closer together near the top, making the hillside look tall and the viewer feel small. Ā In terms of granulation, the sepia ink is looking far superior to all others. Ā The titanium white and waterfall green need blowing to get them to do anything interesting.

I spattered some titanium white over the sky not really knowing whether it was supposed to be snow or stars. Ā I can tell you now that it’s snow. Ā The clouds that I lifted out of the sky with kitchen paper actually look more like stars. Ā There’s also an interesting area on the left where the inks are a bit smeared. Ā That’s where the painting nearly fell off its perch while drying and I caught it and ended up Ā with ink all over my hand. Ā Looks OK though.

Overall, I think this is pretty good. Ā There are bits of ambiguity there: faces in the cliff face and a tree that could be a stag. Ā There’s a cold, ghostly feeling to it all, which is why I’ve named it after an Algernon Blackwood ghost story. Ā Blackwood’s best stories are nature based, leaving you scared of the snow, the trees, the wind, the sand, whatever. Ā I get the same feeling from this painting.

It’s up for sale.

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