It's my birthday and the front page headline on stash news is that Iām going…

The Allotment
Out and about again today. Ā I thought I’d have a go with the oil pastels. Ā I’ve not painted plein air with them before and wanted to have a go, just to check whether they might be a viable alternative option on Landscape Artist Of The Year if I make it on as a wildcard. Ā It’s a lot easier to carry the gear around than it is with watercolour after all. Ā I wandered around the village looking for potential subjects and ended up in the wife’s allotment. Ā The colours of the shed and the overgrown state of the place were what drew me in.
I didn’t have the iPad with me and found myself struggling to come up with a composition. Ā If I don’t have the iPad, I at least need to carry around a cardboard mount as a sighting device. Ā And if I’m going to do that, I need to experiment with mounts of different sizes.
As usual with these paintings, I put down a pencil outline and then filled out the painting from back to front. Ā I didn’t really get to have fun until I got to the foreground, when I tried to make the place look as overgrown as possible. Ā I started dotting in lots of different greens and yellows and then swept them upwards with one of those rubber ended tools. Ā I added the odd weed in front of the barrels and water tank by dabbing in leaves, then adding thin stems by rolling the pastels on their edges.
I did quite a bit of scraping with the scalpel today, in particular for that cage thing in the foreground, where I even remembered to put some grey down first before putting the green on top. Ā I may well have scraped off the grey with the green, though, rather than leaving it showing. Ā And I also made the edges of the trees more interesting. Ā The other special effect I used was to dab some fingerprints around the far tree to make it look like a windy day.
I added the birds at the end to balance things and to bring in a bit of life. Ā I realised at this point that I’d not used my favourite red, so put in a red bird first. Ā I then added one in my favourite blue and one in a green. Ā These things always work better on threes.
It was a mistake to bring out the oil pastels today. Ā For one thing, it was too hot (18 degrees, make a note) and the pastels were melting after a while. Ā The tiny last bit of my pthalo green light pastel actually melted as I was applying it to the paper, so I had to manipulate it around like oil paint. Ā This green, by the way, is the first non-white pastel that I’ve completely used up. Ā The second reason why the oil pastels were a mistake is that you don’t realise how messy they are until you have to paint with them without access to soap and water. Ā I’ve decided that if I do make it to Landscape Artist, I won’t be taking the oil pastels – I’ll be painting in watercolour.
Anyway, back to the painting itself. Ā It’s spoilt by the barrels and the big water tank on the right. Ā The water tank is boring and difficult to draw and should have been left out. Ā I didnāt get enough dimensions into the barrels, being too focussed on getting the two dimensional image down. Ā It also didnāt help that the barrels in my composition were too small for me to be able to put on much detail, especially with the pastels melting. Ā Maybe I should have only included one or two of them. Ā The birds are really good though.
This one sold quickly to a fellow villager.
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