Before I start talking art, a bit of news. Ā I retired on Tuesday. Ā Eighteen months…
Big Sam In Coloured Pencil
I still have loads of new art gear to try out, so no dash and splash for me today. Ā Itās time to give the coloured pencils a first outing. Ā For subject matter, I thought it best to start something easy as a confidence booster. Ā I could either have done some naked figure drawing of a portrait of Sam Allardyce, someone whose likeness I never seem to have any problem with. Ā In the end I decided to go with Big Sam because I suspect I may be doing a few portraits with the pencils.
Paper-wise, this is on 150gsm smooth cartridge paper. Ā I got two cartridge pads for my birthday: this and 96gsm medium. Ā While these will be OK to get me started, I’m already wondering whether I’ll be wanting to move on to watercolour paper at some point.
I started with a tough pencil drawing. Ā It was a freehand contour drawing rather than something drawn using a grid: I find this works better for portraits, especially Big Sam portraits. Ā I then went about shading everything in using the side of the lead trainer than the point. Ā It was like walking around the mountain before climbing it but also allowed me to put down lots of overlapping colours. Ā I used all sorts of impressionistic colours that I could see in my source photo. Ā Once I was happy with this underpainting, I set about doing the painting properly.
For the proper painting, I used the points of the pencils and pushed down hard for any detailed bits. Ā I worked through the face section by section: eyes, then ear, forehead, nose, left cheek, right cheek, mouth, chin, ‘tache space, neck. Ā After filling out each space, I would burnish it by putting a layer of white over it and pushing down hard: the idea is to flatten any texture in the paper and to make the pencil work look a bit more shiny. Ā I donāt know whether I’ve done this properly: I may have to wait until I use rougher paper to really know.
Then it was the jacket. Ā The sort of shape that was begging to be coloured in monotone black and to wipe out half my black pencil in one go. Ā But while I made the collar quite solid, I was a bit looser on the rest of the jacket, just applying various sideways fillings of black and grey with the side of the lead in different directions. Ā I also threw in some blue and magenta to fit with the rest of the painting and keep things interesting. Ā All burnished again with the white, of course.
And finally it was the hair. Ā I was expecting this to all go wrong but it didn’t come out too bad. Ā I just imagined I was combing it in and then blackened in some areas at the end. Ā The hair has a greasy look to it, which I quite like.
Paper-wise, I found this smooth cartridge paper a bit frustrating. Ā When I was putting down colour by pushing down hard, the paper didn’t really let me put one colour down on top of another. Ā I’m hoping that tougher paper has the capacity for more colours. Ā If it doesnāt then it’s the way I use the pencils that’s the problem. Ā I’ll find out another day.
Anyway, what’s the final result like? Ā And, more importantly, what’s my style like with the pencils (because this is the first I’ve seen of it)? Ā Perhaps unsurprisingly it looks like I’m going to be wild and impressionistic with the colours, much as I am with the inktense pencils. In fact, this felt like one of those days with the inktense pencils when I put down too much colour and don’t leave enough white. Ā So it’s a bit like using inktense pencils but with the shackles removed (and without all the fun of wetting the marks afterwards). Ā And the picture’s decent enough to go up for sale. Ā Coloured pencils are looking like a great medium to use when I don’t want to go outside.
<Edit: Sam was later used as a guinea pig for coloured pencil solvent testing but is still up for sale. To see the price, click here. Ā Here’s the new version:
Leave a Reply