The plan was to do three dash and splashes today but we had an early…

Archway Into Hartlip Church
Enough of these village houses! Ā I wanted to paint some stones, so it’s back to the church to paint this archway again.
I first drew the archway using a rollerball, including all the cracks and climbers that I could see. Ā The plan was to make the archway quote colourful and in a light value, with the trees behind in a dark value. Ā I was going to leave all the cup racks showing up in rollerball. Ā Good to have a plan, even if I didnāt stick to it.
The three main colours today were cerulean blue, raw sienna and Winsor red (the key of green warm). Ā Cerulean and raw sienna are always good for stonework with their tone and granulation. Ā Winsor red seemed to form a good combination with them according to my swatches. Ā Four opaques also made guest appearances though (more on these below).
I started with the arch, with all three primaries and allowing them to run into each other. Ā But because I wanted a few more spots of colour, I reached for my three primary opaques (cobalt blue, cadmium red and cadmium yellow). Ā I dropped in some big spots but also did some spattering. Ā Before spattering, I wet all the background so that any spatters missing the arch could be quickly removed. Ā I painted in all the darkest bits with sepia but didnāt like the random of darks that resulted from this, so also painted over most of my market lines with sepia. Ā It might have been a mistake to use sepia in this way at all – if I had my time again, I’d just do sepia spatters. Ā I added salt to the archway but it didnāt react today – maybe the paint was too dry when I salted it.
Cobalt blue, by the way, is doing a better job as the opaque blue in paintings like this than cerulean ever did. Ā When I finally get a brass 16-colour palette, it will probably join cadmium red, cadmium yellow and sepia as the four extra colours in addition to the 12 currently in my palette. Ā It means that Payne’s grey (as well as titanium white) will miss out.
And then I added the background using only my three transparent (and semi-transparent) primaries. Ā It’s been a while since I used raw sienna in a sky but, rather than going for the Ron Ranson skies that I used to paint years ago, I couldnāt resist throwing in some red to create grey clouds. Ā I wanted the trees to be darker than the arch but the paints just werenāt having it. Ā I created interesting textures in there using water drops, creating back runs.
In the end, I think I’ve ended up with an OK painting. Ā The reds, yellows and blues in the arch are great. Ā The background is suitably understated and, despite having interesting textures, doesn’t distract from the arch. Ā The one niggling thing is the contrast between the arch and the background – they look like two different paintings. Ā The painting may have looked better either without sepia over the cracks or without any rollerball lines.
Still, it’s a success. Ā Just like all my other Hartlip church paintings, it sold within a day and all the proceeds were donated to the church.
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