In that last painting, Six Ways To Look At The Moon, I was so pleased with how the bottom left subpainting turned out that I thought I’d have a go at painting something similar but full sized. Ā So I marked out a border with masking tape, then tore off several random bits of tape and stuck them down. Ā There was something there looking like a palm tree, so I deliberately added the piece of tape that I guess you’d call the top half of the trunk. Ā I also added a couple of “islands” near the bottom – horizontal bits of tape with the straight side along the bottom. Ā Otherwise, all the tape is pretty random but with an eye towards composition. Ā Not too many close together but not evenly spread. Ā A couple of strips that are not quite parallel. Ā That sort of thing.
Then I spattered over a load of masking fluid. Ā I didn’t want to just make the original subpainting bigger without adding anything extra.
The idea was to stop there and carry on tomorrow but I was on a roll. Ā So I wet the paper and randomly added French ultramarine, quinacridone magenta, Indian yellow and transparent yellow. Ā The paper had buckled a bit, so I tried to dab out the most liquid bits. Ā I found myself doing a few more unnecessary dabs for a bit of interest. Ā And then I let it dry, throwing on salt whenever any bits of the coed optimal salvage levels of dryness. Ā Of the what! Ā Damn that autocorrect!
And here’s the final result. Ā The best bits about it are the interesting salt effects. Ā In particular there’s some interesting granulation in the purple in the bottom left, with the red and blue separating in places. Ā Where I’m less than 100% happy, it’s in where the colours haven’t run together as much as I’d have liked. Ā Indian yellow in particular seems loathe to run into other colours and maybe needed some encouragement with the brush. Ā Mind you, the blue and red have no excuse for not running into the Indian yellow. Ā There’s no right way to hang this one. Ā I think it looks better this way round (something to do with having so many horizontal shapes) even if that vertical shape looms nothing like a palm tree. Ā But is it any good? Ā I’m not convinced. Ā This one isn’t going up for sale.
Needless to say, the name for this one is shared with an Algernon Blackwood short story.
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